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July 11, 2009

Morocco Semester Overview: Fall 2009

Each time I go to a place I have not seen before, I hope it will be as different as possible from the places I already know.
–Paul Bowles, author of The Sheltering Sky, desert explorer, Morocco expatriate

A mere 17 miles south of Europe, across the Strait of Gibraltar, a very different experience awaits—an intriguing place of great contrast, color, culture, history, and hospitality: Morocco was the first nation to recognize the United States as an independent nation in 1777. The Moroccan-American Treaty of Friendship stands as the U.S.'s oldest non-broken friendship treaty. Signed by John Adams and Thomas Jefferson, it has been in continuous effect since 1783.

Fes Fruit Peddler_small.jpg
(Photo Credit: Alex Safos)

Fes
Global LAB’s Morocco immersion begins in Fes, the oldest of Morocco’s four Imperial Capitals. Founded in 808 and claimant of the “oldest university in the world” (Kairaouine Mosque, founded in 857), Fes was renowned during the Middle Ages for its achievements in Arab commerce, art, religion, mathematics, and philosophy. Today, its old city (“the medina”)—a UNESCO World Heritage Site—preserves this glory and timelessness as a living museum of how life was lived in Medieval times. In its crowded maze of alleys and markets (souqs), suffused with sensations unfamiliar, and filled with simple and profound moments, you’ll cut the surface of your adventure. Courses in Moroccan Arabic, Moroccan Culture & Society, and an Introduction to Islam will give your daily rhythms meaning and context. You’ll remain mobile throughout this first circuit of the semester with regional excursions to the blue-on-white Rif mountain village of Chefchaouen and to the Portuguese-influenced coastal town of Asilah.


The High Atlas Mountains
High Atlas Berber girls_small.jpg
(Photo Credit: Alex Safos)

For the next 10 days, you’ll continue experiencing the new and superlative. You’ll travel south into North Africa’s grandest mountain range, the High Atlas, for an in situ perspective of Morocco’s oldest inhabitants, the indigenous Berbers. You’ll trek across streams and valleys, mule dirt roads, overnight in hillside-terraced villages, and ascend the highest peak in North Africa, Jebel Toubkal at 13,665 feet. Penetrating this habitat offers the privilege of witnessing a remarkably friendly and brightly dressed people, seemingly incongruent with their labor-intensive lifestyle. The unique Berber language, music, and architecture will be on vivid display for appreciation. To understand the challenges of rural development, you’ll conclude with a week engaged in community service, observing how villagers gain consensus on fundamental development needs such as shelter, food, sanitation, and potable water—and you will help fulfill some of these needs before descending out of the High
Atlas.

Fes, Part II

Next, a return to the Fes “base camp” for the celebrated conclusion of Ramadan, Islam’s holy month of fasting, self-purification, and self-restraint. Over the next several weeks, you’ll become more integrated into the fabric of this special city. Language instruction will continue (with French added as an option) and facilitate your daily interaction with Moroccans. Lectures on Moroccan anthropology, geography, and folklore will further your cultural insight and appreciation. And your ongoing medina restoration project “apprenticeships” will reveal the artisanship for which “Fassis” are famous, including Zellij tilework, intricate wood carving, and sculpted plaster work. You’ll eventually leave Fes, but Fes stays—its spirit, people, images, sounds, and smells there for you to ponder for years after.

As with every segment of the semester, time is allocated to explore a region’s diversity. During this second tour of Fes, we map routes to the south and west, including: an eco-tour of the Middle Atlas cedar forests to spot Barbary Apes; visits to the Roman ruins of Volubilis and the nearby Imperial City of Meknes; an excursion to the seaside capital, Rabat; and a trip to the cosmopolitan metropolis of Casablanca.

Marrakesh

Pushing onward to Morocco’s second largest city, Marrakesh, you plug back into an urban environment for the next semester phase. Known as “The Pearl of the South” and “The Red City”, Marrakesh stands in stark contrast to Fes’ predominantly Arab and insular feel. Here, the spirit is more frontier-like and African—certainly a reflection of its history as a depot for caravans transporting slaves, gold, and ivory from Timbuktu. Marrakesh boasts its own UNESCO-stamped medina and cultural-historical icons such as the Koutoubia Mosque and Saadian Tombs. Yet its heart and energy derive from the place and spectacle of the Djemaa el Fna, “Assembly of the Dead”—an open square where musicians, peddlers, merchants, snake charmers, fortune-tellers, acrobats, and artists co-mingle and perform day into night, every night. Marrakesh’s anything-can-happen air is nowhere thicker than here. Against this fascinating backdrop, you awaken to new layers of the Moroccan experience. An introduction to Sufism, the varied practice of Islamic mysticism, and an overview of the Arabic script comprise the academic elements for this Marrakesh circuit.

To be sure, we’ll take advantage of Marrkesh’s relative proximity to the Atlantic coast with excursions to the laid back seaside city of Essaouria, the acclaimed “Windsurfing Capital of Africa”, and a visit to the exquisitely preserved kasbahs (fortified villages of ochre mud) of Ait Benhaddou, backdrop to the epic films Lawrence of Arabia and Jesus of Nazareth, among others.

Oases and Desert

The last two weeks of the semester indulge desert fantasies and deliver an awareness of Morocco’s historic cross-continental reach. Move west across the rock-and-scrub wasteland through the Dades and Ziz Valleys and discover numerous ksour, khasbahs and cinematic date-palm oases that increasingly fleck the southern landscape, culminating in the Tafilalt region. Explore the nearly 1,000 foot high cliffs of the Todra Gorge and surrounding palmery. And begin to note the subtle textures of light and kaleidoscope effect for which Morocco is famous. Finally, our southern terminus is at Erg Chebbi, the largest sand dunes in Morocco on the doorstep of the Sahara. Here you’ll traverse by camel caravan, and encamp for a few days, under dark skies shot with starlight, with mint tea served by our Berber guides at sunrise.

Tangier and Southern Spain

The final days of the semester route you back north to Tangier, the Mediterranean resort that lured artists, musicians, authors, and aimless decadents during its moment of 20th century fame and infamy. And it is from here that you symbolically ferry yourself across the strait, into Spain, and bear witness to Morocco’s past influence, incarnate in the Moorish grandeur of The Great Mosque (“La Mezquita”) of Cordoba, founded in 785, and the 13th century Alhambra (“Red Castle”) at Grenada. Witness an Andalusian orchestral ensemble or a Flamenco dance performance. Here, East-meets-West, and the semester of experience ends…leaving you enlightened, if not transformed, by the extraordinary culture and mosaic that is Morocco.


CORE SEMESTER ELEMENTS

Language Learning
Daily language instruction. Students may choose among Moroccan Colloquial Arabic, French, and Modern Standard Arabic. Real-world, instant feedback of a native environment and plenty of support from homestay families enables a richer cultural experience and builds a foundation for further study. No prior linguistic knowledge required.

Family Homestays
There is simply no better way to gain a deep appreciation for another culture than the homestay. Global LAB's Morocco Semester includes three remarkable opportunities to share the rhythms and warmth of indigenous families: the first in the Fes medina; the second in Marrakesh; and the third in the High Atlas with overnights in Berber villages.

Community Service Projects
Gain a perspective on local community needs and instill a sense of service by working alongside citizens on fundamental projects, for example: participating in English discussion classes at schools; assisting at orphanages; promoting conservation awareness and habitat preservation; planting trees to mitigate soil erosion; helping preserve cultural resources; distributing potable water to remote areas; and observing the governance process of rural villages.

Independent Study Project and Portfolio
With the guidance of Global LAB advisors, design and pursue your own study of an area of Moroccan arts, history, spirituality, environment, folklore, or culture that interests you. The ISP culminates with a group presentation where you have the opportunity to share what you have learned, as well as a portfolio—writings, photography, video, performance, website design—that you will take home with you at the semester’s conclusion.

Credit
For high school seniors, Global LAB works closely with your school to ensure that you receive full credit for participating. University students may also be eligible for credit, and appropriate proficiency exams can be arranged through the Arabic Language Institute in Fes (ALIF) or other local partners.

Admissions & Tuition

Fall 2009 Morocco Semester Program Tuition: $11,845

Tuition includes residential pre-trip orientation in the US, preparatory and educational materials; dedicated student website for program communications and resources; all logistical facilitation; all hotels and guest houses; all meals; all domestic air fares/taxis/buses/trains/boats; museum, park and temple entrance fees; Global LAB faculty and instruction as well as local coordinators, cooks, porters; all program elements (independent study projects and apprenticeships, community service projects, home-stays, guest lectures, community support/charitable contributions).

Please note: Additional expenses not covered by Global LAB include r/t international airfare and costs of domestic travel to point of departure (NYC), inoculations, travel insurance and international medical and evacuation insurance; visa/passport processing fees; personal costs (laundry, phone calls/emails, souvenirs, etc.).

Semesters are open to those ages 16-22. While Global LAB semesters are geared toward interim or ‘gap’ year students, high school seniors as well as university students are welcome to apply. No language prerequisite is required.

Global LAB accepts applications on a rolling admissions basis, accepting qualified applicants until programs are full. Each program has a maximum of 12 participants and 3 Global LAB instructors. For this reason, we recommend candidates submit their applications as early as possible.

To begin the application process, print out the preliminary application and FAQ below:
* Application Form
* Dates & Details
* FAQ

Packing Suggestions

THINK LIGHT! You will have to put whatever you bring onto the tops of buses and you will have to carry your bag for long distances. Here's a list of all that you will need to stay warm, dry, cool and comfortable. When packing, think layers and do your best to stay away from cotton (save T-shirts) because cotton takes a long time to dry. We recommend that you only bring what's listed here. The lighter you pack, the happier you--and the rest of the group--will be. There will be opportunities to do “self-service” laundry where we’ll be staying.

PLEASE NOTE: We strive to be model visitors, and therefore ask that students bring clothing that is lightweight and durable, but that also covers the body well, and looks respectable. Tie-dyed T-shirts, cut-off jeans, tight fitting leggings and tank tops are inappropriate, as they show disrespect for local cultures.

BAGS:
BACK PACK/SUITCASE: Your main container to store your things. Something light weight and durable is best. An internal frame backpack functions well for easy mobility.
DAY PACK: A book-bag or fanny-pack to use for daily excursions (to carry camera, water bottle, jacket, notebook, etc).

DUFFEL BAG: While you’ll want to be able to fit all of your things in a backpack and daypack, an extra duffel can be handy. This bag should be nylon and relatively durable.
STUFF SACKS: Light-weight and compact, using stuff sacks to separate clothes, food, toiletries, and everything else will bring order to your pack, and make your life simpler.
ZIPLOC BAGS: Like stuff sacks, these can be invaluable for organizing and keeping things organized and dry.

GEAR:
VALID PASSPORT: Good for at least 6 months from the beginning of your program.
MONEY BELT: A very important item to wear daily, under your clothes, safely hiding your passport, money, etc.
SLEEPING BAG: Sleeping bags should be “mummy” style and have a temperature rating between 0 and 20 degrees.
WATER BOTTLES – Please bring two, one-quart, plastic. Nalgene bottles can be found at local outdoor gear shops.
HEAD LAMP – Flashlights are okay, but headlamps are more convenient.
WARM HAT & GLOVES – For High Atlas.
ALARM CLOCK/WATCH – Travel-size, to catch early buses and trains.
SWISS ARMY KNIFE
SNEAKERS/TRAIL SHOES: Durable and comfortable, for daily wear.
SANDLES/ TEVAS: Good for every day use in hot weather.
CHAPSTICK & SUNSCREEN
VISOR / SUN HAT
SUNGLASSES - With UV protection.

CLOTHING:
RAIN COAT/OUTER SHELL: A water-proof wind breaker, ideally light-weight and breathable.
JACKET / SWEATER: As light weight as possible, to wear on the plane or in rare air-conditioned settings or in the High Atlas.
LIGHT or MID-WEIGHT FLEECE TOP: always good to have one for layering as temperatures rise/fall.
T-SHIRTS: 3, in decent shape with sleeves, preferably not too tight-fitting or low cut.
NICE SHIRT: 1, for meetings and special occasions.
BATHING SUIT: 1, modest one-piece.
PANTS: 2, ideally light-weight. Jeans are heavy and take a long time to dry.
SOCKS & UNDERWEAR: 5 pairs each.
THERMAL UNDERWEAR: 1 top, 1 bottom.
SLEEPWEAR: Ideally a T-shirt/shorts can double for this. Minimize extra weight!
SKIRT /DRESS: Skirt below the knees or a dress with sleeves. There may also be opportunities to buy inexpensive skirts in Morocco.

OTHER:
CAMERA & FILM: Extra film is available in Morocco, although it is more expensive. Do bring an extra camera battery! If you use a digital camera you might want to bring an extra memory card.
DIGITAL AUDIO RECORDER: If you have one, bring it to capture your impromptu thoughts, interview your homestay host, etc., and capture some of the unique sounds emblematic of Morocco
TOWEL: Small and light (and ideally fast-drying). *Just in case—good to have when we travel between circuits—and in the event the towel-snatching camel appears at our lodgings
TOILETRIES: Just the basics! (Brush, toothbrush & paste, shampoo, tampons, etc.) No hair driers, irons, etc.
MEDICATIONS/VITAMINS: Bring any prescription medicine you take in its original container to avoid problems at customs.
GLASSES/CONTACTS: Bring a back-up pair as well and contact solution for the duration of the trip.
NATURAL TEARS / VISINE EYE DROPS – With sandy, dusty conditions and a dry climate, this is handy to have.
NOTEBOOK / JOURNAL
PEN / PENCIL
TRAVEL BOOK: Ideally about the places we will visit (we can swap around to minimize weight).
GIFTS: A few light items to share with new friends & homestay families (post cards of your home state, a simple t-shirt, a small calendar or picture book).
SPENDING MONEY: We recommend about $5-$10 per day though you may not spend this much unless you plan on buying a lot of gifts (or expensive ones). American Express traveler's cheques are safest, in a mix of $20 and $50 denominations, but not every bank in Morocco cashes traveler’s cheques. ATMs are fairly widespread and just as efficient.

OPTIONAL:
SHORTS - 1 pair, at least mid-thigh length (shorts won't be appropriate much of the time; in fact, you may never wear them, but they can be good to sleep in).
BANDANA - These can serve multiple purposes while traveling
SLEEP SACK –Either pre-made or a sheet sewn into a rectangular sack. Good for nights in hotel/hostel settings when it’s hot.
UMBRELLA - A lightweight, travel umbrella can serve you as well in rain or shine.
WATER FILTER - (MSR Sweetwater is a good one) Homestay families will boil water; however, a water filter can be convenient when staying in hotel/hostel settings or in the High Atlas.
INSECT REPELLENT
DUCT TAPE – Wrap some around your water bottles and pull it off as you need it.
EAR PLUGS - Help you sleep on long flights and bus rides—and if your roommate has a tendency to snore—or talk in her sleep!
PLAYING CARDS
PURELL - Anti-bacterial hand gel (a small bottle), or anti-bacterial hand-wipes.

PLEASE NOTE: Lugging a heavy pack around for the entire time we are in Morocco can be extremely tiresome. We can find almost anything you'll need in the countries we visit, and you'll also want to pick up new items. Seriously challenge yourself to pack light, and lighter still, you definitely will not regret it! If you have any questions about whether it is or isn't appropriate to bring certain items, please don't hesitate to ask.

One final thing that is essential equipment: A HEALTHY BODY!! Your experience will be so much more enjoyable if you come with a body that is fully prepared for the journey. If you are not already getting regular exercise, we recommend starting an aerobic workout program—or at least taking long walks--exercising at least 30 minutes a day, five days a week.

Packing hints: Culturally appropriate clothing. What does this mean? When you are packing for this program it is really important that you bring clothes that will be both comfortable and suitable to the locations we are going to.

For female students this means loose fitting shirts that have sleeves at least the length of a usual t-shirt. Shirts that have spaghetti straps, are sleeveless, tight-fitting, or mid-riff baring are not appropriate and can lead to troubles that can almost certainly be avoided by more conservative dress. If you wear pants that have a low-waist line you need to have shirts long enough to cover your mid-riff. If you wear a skirt, it should be at least to your knees.

For male students it is best to have pants and shirts with short sleeves as well.

For all students:

It is important that your clothes be clean (no holes, stains, rips, etc.).


Welcome from Alex Safos, Director of Southern Europe, Middle East & North Africa

Alex and Soudani.JPG
Alex (at right) with Berber-Sahara specialist, Mohamed Soudani, in Marrakesh, Morocco

I was an anxious, rudderless college sophomore when he got the call. It was from Washington, DC—the State Department to be exact—and the beige rotary phone was ringing in a remote University of Texas at Austin professor’s office, some 1,500 miles plus away. This was 1986, and to me, 1,500 miles was a faraway place. Dr. James Bill politely and unpretentiously said, “Alex, have a seat. I need to take this call from State. They need some input—help, really—with their Iran policy.” Now this is pretty cool, I thought, eyes like saucers.

So this moment isn’t how I bit on the Morocco lure, but it represents my seminal brush with “The Middle East”. In reality, the geo-political conflicts drew me in. And how we, Americans, perceived—and misperceived—related—and unrelated—to this diverse and complex region rich in culture and history. For a 20 year old, the menu was overwhelming and fascinating at once: the US reaction to the Iranian Revolution; the intractable Arab and Palestinian conflict with Israel; the Iran-Iraq war; Qaddafi’s provocations in Libya; the civil war in Lebanon; the phenomenon of political Islam; how the Gulf States influenced the world economy—the challenges and kinetic energy seemed inexhaustible. I think you get the picture.

So with the guidance of Dr. Bill and other professors who opened this new portal before me, I began studying Arabic, Islam, political science, Arab history, sociology, etc. The standard smoothie—with a language booster. So while I had to endure the tiresome heckles of “Arabic? Why the [expletive] are you taking that?” from several on pre-Med, pre-Law, and pre-MBA trajectories, to this day, two decades later, my 4 years combined undergraduate and graduate Arabic instruction represent my most valuable output from the academy. Without question.

What’s better than learning about a culture and its native tongue? Learning about a culture and its native tongue on native soil. My Arab cultural baptism was in North Africa—in Egypt—where I spent two consecutive summers working in Cairo. The first as an assistant editor to an English language magazine for tourists. The second as an assistant manager for a local FedEx franchise. So this was how I was first introduced to an “office environment” (in the US, my work experience had been limited to waiting tables). In a city of millions whose daily evasion of implosion I found, and still find, astonishing. The foot-high stacks of paper on every desk and the affinity for the rubber-stamp. In triplicate, straight out of a Gogol short story on stultifying Soviet bureaucracy. The haze of “Cleopatra” brand cig smoke in the office all day, forming another atmosphere between us and ceiling. Like at an old jazz club, but without music. My mood would flip from rapture to frustration, from affinity to disengagement—all stoked by 100F temperatures and the notorious Egyptian khamseen, the hot and unrelenting summer sandstorm from the desert on Cairo’s doorstep. Applying, growing, questioning, critiquing, fighting, capitulating, amped up, and shut down. It was glorious. Every grain.

Ok, well, after getting my grad degree in Arab Studies from Georgetown—and after an underworld stint as a bartender trying to figure out how and where to apply this credential—Morocco rang. I had figured out that a career in the diplomatic corps was not for me and had blanketed English language schools from Marrakesh to Muscat looking for a constructive and fascinating way to get back to North Africa. The winning ticket was Fes, and I had no idea what to expect…I rifled through the Atlas, honed in on Fes, land-locked in a valley, and it looked so small, so provincial, compared to a cosmopolitan Cairo seeped with humanity in every crack.

The memory of my paralysis in the Tangier airport is cleaver-sharp where, in the dust, it all came rushing, that I would be here, in the Maghrib, for a year. No Exit. And that I couldn’t speak. Be understood. Or understand. There is a memorable discomfort in suddenly realizing that communication with your fellow human is not happening like it should. My prior Arabic language training was practically useless on this hour #1 in Morocco—both my Egyptian dialect and traditional Modern Standard Arabic fell on so very deaf ears. And I had no French fall-back

I got over my Tangier two-step and Morocco moment (of doubt) soon enough. My home for the next year would be Fes. Or Fez. It was here I would teach English at the American Language Center and help launch what is today “ALIF”, the Arabic Language Institute in Fez. And it was here—and elsewhere and everywhere across this country of heart—I would grow layer upon layer of perception, community, color, and humanity.

I can tell you about dreamy moonlit camels shuffling in the Sahara, all else quiet. I can tell you about how you might pauseand fixate during your first evening call to prayer, from deep in the Fes medina, and become very conscious of Islam’s tapestry and reach. And I can tell you how, with just a mote of darija, Moroccan Arabic, you will connect with rich and poor, merchant and butcher, baker and beggar—and how your words will animate the creases of these incredibly handsome and hospitable people. But these are your experiences, still unlit and unwrapped. Review our comprehensive semester program and listen to the posted Audio From Elsewhere clips of Fes and Marrakesh, and you’ll get a taste of the transport in store..

We all own various enlightening and sensational and very personal travel experiences. The night fragrances and whispers of my Roman honeymoon. An epiphany of dear wilderness and wildlife, courtesy of Alaska. And a primal sense of blood and heritage in escorting my grandmother back to her Greek island village, amidst a backdrop of sea, goats and grapes. In my experiential cellar, Morocco is as good and real and true as all of these.

After a personal detour into corporate America for more years than desirable—detours that ultimately clarify direction—the pungency of Moroccan cumin and orange blossoms and mint slaps as hard as ever. My return in April 2006 after a 14 year absence was a homecoming of sorts.

I congratulate your curiosity and passion to witness this country, this culture, and this media-riddled region of the world on your own terms. Without apology, without preconception. In all its hospitality and diversity, Morocco will leave you changed and more mindful on many levels. I look forward to speaking with you, meeting you, and answering any questions or concerns before you set out on this remarkable and rewarding path. Tafadalo wa rihla sa’ida. Welcome and happy wanderings!

Alex

July 14, 2009

Recommended Multimedia Resources for Morocco Background

Follows is a list of content in various media that will provide useful background for your upcoming tour and help contextualize your experiences. If time allows, borrow or purchase a few of these titles before your travels--try to coordinate with fellow travelers so these may be shared during the tour. Many libraries are likely to carry some of these as well. A short-list of highly recommended readings is asterisked (*).

General / Travel Guides

*Lonely Planet Guide to Morocco OR *The Rough Guide to Morocco

History (Arab, North African, Moroccan, and Moorish)

A History of the Arab Peoples, Albert Hourani (Harvard University Press, 2003). Emeritus Fellow at St. Anthony's College in Oxford, Hourani begins with Islam's rise in the 7th century and carries the rich and imposing story of Arab civilization to the late 1980s. In broad, sweeping strokes, Hourani moves easily from mosque to marketplace, from sultan to imam, from nomad to city-dweller, from Mohammed to Anwar Sadat. He focuses on the Ottoman Empire and on the European colonialism that followed, and concludes with a discussion of the modern resurgence of Islam that offers hope to thousands of Muslims and appears so threatening to Westerners.

A Traveller’s History of North Africa, Barbaby Rogerson (Windrush, UK/Interlink, US). Roger successfully takes on the daunting task of covering the history of Morocco, Tunisia, Algeria, and Libya. An authoritative but readable account providing a clear vision of North African history from Carthage to the present.

Lords of the Atlas, Gavin Maxwell, (Cassell, UK). This is the story of the Glaoui family—literally the “Lords” of the High Atlas—where they exercised almost complete control from the turn of the 19th century through Moroccan independence in 1956.

*Morocco since 1830, C.R. Pennell (C. Hurst, UK/New York University Press, US). This recent paperback, published in 2000, is one of the first general histories of modern Morocco. It covers the major strands of power but also the social and cultural life of ordinary Moroccans while focusing on the various contemporary challenges facing the country.

Moorish Spain, Richard Fletcher (University of California Press). Beginning in the year 711 and continuing for nearly a thousand years, the Islamic presence survived in Spain, at times flourishing, and at other times dwindling into warring fiefdoms. But the culture and science thereby brought to Spain, including long-buried knowledge from Greece, largely forgotten during Europe's Dark Ages, was to have an enduring impact on the country as it emerged into the modern era. In this gracefully written history, Richard Fletcher reveals the Moorish culture in all its fascinating disparity and gives us history at its best: here is vivid storytelling by a renowned scholar.

North Africa: A History from Antiquity to the Present, Phillip Naylor (2009, University of Texas Press). North Africa has been a vital crossroads throughout history, serving as a connection between Africa, Asia, and Europe. Paradoxically, however, the region's historical significance has been chronically underestimated. In a book that may lead scholars to reimagine the concept of Western civilization, incorporating the role North African peoples played in shaping "the West," Phillip Naylor describes a locale whose transcultural heritage serves as a crucial hinge, politically, economically, and socially. Ideal for novices and specialists alike, North Africa begins with an acknowledgment that defining this area has presented challenges throughout history. Naylor's survey encompasses the Paleolithic period and early Egyptian cultures, leading readers through the pharonic dynasties, the conflicts with Rome and Carthage, the rise of Islam, the growth of the Ottoman Empire, European incursions, and the postcolonial prospects for Egypt, Libya, Tunisia, Algeria, Morocco, and Western Sahara. Emphasizing the importance of encounters and interactions among civilizations, North Africa maps a prominent future for scholarship about this pivotal region.

Political Science

*Morocco: The Islamist Awakening and Other Challenges, Marvine Howe (Oxford University Press, 2005). In Morocco, Marvine Howe, a former correspondent for The New York Times, presents an incisive and comprehensive review of the Moroccan kingdom and its people, past and present. She provides a vivid and frank portrait of late King Hassan, whom she knew personally and credits with laying the foundations of a modern, pro-Western state and analyzes the pressures his successor, King Mohammed VI has come under to transform the autocratic monarchy into a full-fledged democracy. Howe addresses emerging issues and problems--equal rights for women, elimination of corruption and correction of glaring economic and social disparities--and asks the fundamental question: can this ancient Muslim kingdom embrace western democracy in an era of deepening divisions between the Islamic world and the West?

Travel Essays/Fiction/Poetry

*The Spider’s House, Paul Bowles, 1955 (Harper Perennial). The dilemma of the outsider in an alien society, and the gap in understanding between cultures, recurrent themes of Paul Bowles's writings, are dramatized with brutal honesty in this novel set in Fez, Morocco, during that country's 1954 nationalist uprising. Totally relevant to today's political situation in the Middle East and elsewhere, richly descriptive of its setting, and uncompromising in its characterizations, The Spider's House is perhaps Bowles's most beautifully subtle novel.

*The Caliph’s House: A Year in Casablanca*, Tahir Shah, 2006 (Bantam). When Shah, his pregnant wife and their small daughter move from England to Morocco, where he'd vacationed as a child, he enters a realm of "invisible spirits and their parallel world." Shah buys the Caliph's House, once a palatial compound, now heavy with algae, cobwebs and termites. Unoccupied for a decade, the place harbors a willful jinni (invisible spirit), who Shah, the rational Westerner, reluctantly grasps must be exorcised by traditional means. As Shah remodels the haunted house, he encounters a cast of entertaining, sometimes bizarre characters. Three retainers, whose lives are governed by the jinni, have attached themselves to the property. Confounding craftsmen plague but eventually beautify the house. Intriguing servants come and go, notably Zohra, whose imaginary friend, a 100-foot tall jinni, lives on her shoulder. A "gangster neighbor and his trophy wife" conspire to acquire the Caliph's House, and a countess remembers Shah's grandfather and his secrets. Passers-through offer eccentricity (Kenny, visiting 15 cities on five continents where Casablanca is playing; Pete, a convert to Islam, seeking "a world without America"). There is a thin, dark post-9/11 thread in Shah's elegantly woven tale. The dominant colors, however, are luminous. "[L]ife not filled with severe learning curves was no life at all," Shah observes. Trailing Shah through his is sheer delight (Publishers Weekly).

*In Arabian Nights: A Caravan of Moroccan Dreams, Tahir Shah, 2007 (Bantam). In this entertaining and penetrating book, Tahir sets out on a bold new journey across Morocco that becomes an adventure worthy of the mythical Arabian Nights. As he wends his way through the labyrinthine medinas of Fez and Marrakesh, traverses the Sahara sands, and tastes the hospitality of ordinary Moroccans, Tahir collects a dazzling treasury of traditional stories, gleaned from the heritage of A Thousand and One Nights. The tales, recounted by a vivid cast of characters, reveal fragments of wisdom and an oriental way of thinking that is both enthralling and fresh. A link in the chain of scholars and teachers who have passed these stories down for centuries like a baton in a relay race, Shah reaches layers of culture that most visitors hardly realize exist, and eventually discovers the story living in his own heart. Along the way he describes the colors, characters, and the passion of Morocco, and comes to understand why it is such an enchanting land. From master masons who labor only at night to Sufi wise men who write for soap operas, and Tuareg guides afflicted by reality TV, “In Arabian Nights” takes us on an unforgettable journey, shining a light on facets of a society that are normally left in darkness (Bantam).

Their Heads are Green and Their Hands are Blue, Paul Bowles, 1963 (Harper Perennial). Bowles, one of the four or five best writers in English in the second half of the twentieth century, embraced the desert as a Christian saint embraces his martyrdom. His self-abnegation and his love of traditional culture made him one of the keenest observers of other civilizations we have ever had in America. Unlike his countrymen he did not brashly set out to improve the rest of the world. For Bowles, Americanization was the problem, not the solution. As these startling, sober travel pieces show, Bowles, because of his powers of negative capability, was able to enter into the inner truth of even the most remote places and peoples (from the Introduction by Edmund White).

The Sheltering Sky, Paul Bowles, 1949 (Harper Perennial). In this classic work of psychological terror—deemed by many to be the finest English novel since WWII—Bowles examines the ways in which Americans apprehend an alien culture and the ways in which their incomprehension destroys them. The story of three worldly young travelers Port Moresby, his wife, Kit, and their friend, Tunner--adrift in the cities and deserts of North Africa after World War II, The Sheltering Sky is merciless in its evocation of the emotional dislocation induced by a foreign setting. As the Americans embark on an ill-fated journey through desolate terrain, they are pushed to the limits of human reason and intelligence by the unfathomable emptiness and impassive cruelty of the desert. Along the way, they encounter a host of enigmatic characters whose inarticulate strangeness seals the travelers off even more completely from the culture in which they are traveling, causing their fierce attachments to one another to unravel.

For Bread Alone, Mohamed Choukri (IB Tauris/UK). Choukri's classic and moving work—which has already been translated into more than 10 languages—speaks for an entire generation of North Africans. Born in the Rif, Choukri moved with his family to Tangier at a time of great famine. His childhood was spent in abject poverty; eight of his brothers and sisters died of malnutrition or neglect. During his adolescence, he worked for a time as servant to a French family. He then returned to Tangier, where he experienced the violence of the 1952 independence riots. Still illiterate at the age of 20, he made the decision to learn to read and write classical Arabic—a decision that transformed his life. After mastering the language, he became a teacher and writer, and finally was awarded the chair of Arabic Literature at Ibn Batuta College in Tangier.

Leaving Tangier, Tahar Ben Jelloun (Penguin, 2009). As several expatriate Moroccans learn in Jelloun's latest, it doesn't matter how difficult life may be in the home country, a whole new set of difficulties waits in the promised land. Most of the novel focuses on Azel, a young Tangier native and a self-described Arab who doesn't like himself. Desperate to escape, Azel agrees to become the object of affection for a wealthy Spaniard named Miguel, who takes him in after a brutal police beating. Leaving behind his family and girlfriend for the good life he's imagined in Spain, he soon learns that daydreams can be misleading—and that the life he's always wanted is causing him, despite his benefactor's best intentions, to self-destruct. Before long, Azel's sister Kenza, a nurse, weds Miguel to gain Spanish citizenship, then falls in love with an expatriate Turk who comes with his own set of problems. This harsh, unsentimental view of the risks and regrets of emigration—as well as the stunning realities of life under Islam law—is a stark, straightforward tale that readers can't help getting caught up. --From Publishers Weekly

A Year in Marrakesh, Peter Mayne (Eland Publishing, UK, 1953). Having learned to appreciate Muslim life while living in Pakistan, Peter Mayne settled down to live in the back streets of Marrakesh in the 1950s. Rather than watch from the shelter of a hotel terrace, he rented rooms, learned the language, made friends, and became embroiled in conspiratorial picnics, hashish-laced dinners and in the enchantments and misunderstandings of the street, with its festivals, love affairs, potions and gossip. By turns used, abused and cherished by his neighbors, Mayne wrote their letters for them and captured the essence of their lives in this affectionate and hilarious account.

The Voices of Marrakesh, Elias Canetti (Marion Boyars, UK). A small, compelling volume of impressions of Marrakesh in the last years of French rule by the Noble-prize winning author. The atmosphere of many pieces still holds.

Morocco That Was, Walter Harris (Eland Books, UK). Harris, Times correspondent in Tangier from the 1890s until his death in 1933, saw the country at probably one of its most bizarre stages in history—the last years of “Old Morocco” in its feudal isolation and the first of its French occupation. First published in 1921, this is a masterpiece—alternately sharp, melodramatic, and comic.

Hideous Kinky, Esther Freud (The Ecco Press, 1992). A young girl’s story of her childhood in Morocco with her sister and her Sufi-questing mother. Also a film starring Kate Winslet.

Poem of the Deep Song, Federico Garcia Lorca. “Poem of the Deep Song” is a bilingual edition of the epic poem inspired by the music and culture of Andalusian Gypsies, penned by acclaimed Spanish artist and musician Federico Garcia Lorca (1898-1936) and skillfully translated into English by award-winning poet Ralph Angel. Consisting of a diversity of impressions originally meant to be sung, not with overly mellifluous tone but rather in a deep, primal cry, Poem of the Deep Song evokes passion, vibrancy, and life undimmed by the turn of almost a century. "De Profundis": A hundred lovers / sleep forever / beneath this dry land. / Andalusia, / long, red-colored roads. / Cordoba, green olive trees, / where a hundred crosses / are placed in their memory. / A hundred lovers / sleep forever.

Quest for the Kasbah, Richard Bangs (Open Road, 2009). This book helps you join acclaimed adventurer Richard Bangs, as he journeys through Morocco in search of its true character. It also helps you discover the true heart and soul of Morocco with one of the world's greatest adventure travellers as he embarks on a journey to explore the concept of the Kasbah - a fortress, a safe haven, and a place to exchange ideas with people from different backgrounds - and what it means in modern Morocco. Along the way, readers will experience a camel trek through the Sahara Desert, an exhilarating hike in the Atlas Mountains, and discover the hidden secrets of Morocco's famous towns and cities - including Casablanca, Fes, and Rabat. "Quest for the Kasbah" is more than a simple travelogue - it is a fascinating, insightful, and remarkable journey into the heart of a rich and diverse nation.

Islam

The World’s Religions, Huston Smith (HarperCollins, 1991). With a new preface and fresh package, this completely revised and updated version of The Religions of Man explores the essential elements and teachings of the world’s predominant faiths, including Hinduism, Buddhism, Confucianism, Taoism, Islam, Judaism, Christianity, and the native traditions of the Americas, Australia, Africa, and Oceania. Smith emphasizes the inner – rather than institutional – dimensions of these religions and gives special attention to Zen, Tibetan Buddhism, Sufism, and the teachings of Jesus. He convincingly conveys the unique appeal and gifts of each of the traditions and reveals their hold on the human heart and imagination. [*The section on Islam is recommended]

Love Poems from God: Twelve Sacred Voices from the East and West, Daniel James Ladinsky (Penguin Group, 2002). In this transcendent collection, Daniel Ladinsky-best known for his gifted and best-selling translations of the great Sufi poet Hafiz-brings together the timeless work of twelve of the world's finest spiritual writers, six from the East and six from the West. Once again Ladinsky reveals his talent for creating inspiring, profound, and playful versions of classic poems for a modern audience. Rumi's joyous, ecstatic love poems; St. Francis's loving observations of nature through the eyes of Catholicism; Kabir's wild, freeing humor that synthesizes Hindu, Muslim, and Christian beliefs; St. Teresa's sensual verse; and the mystical, healing words of Hafiz-these and other spiritual writers considered to be "conduits of the divine" make up this rich and luminous collection of "love poems from God."

Islam Observed, Clifford Geertz (Chicago: University of Chicago Press, 1984). In this book, Geertz analyzes notions of Islam on a practical and theoretical level, as well as making a cross-cultural comparison.

An Introduction to Islam, Frederick M. Denny (Prentice Hall, 2005). This comprehensive overview provides students with a thorough and unified topical introduction to the global religious community of Islam. It places Islam within a cultural, political, social, and religious context and examines its connections with Judeo-Christian morals. The text's integration of the doctrinal and devotional elements of Islam enables students to see how Muslims think and live--engendering understanding and breaking down stereotypes. It also reviews pre-Islamic history so students can see how Islam developed historically.

*Islam: The Straight Path, John L. Esposito (Oxford University Press, 1998). This exceptionally successful survey text introduces the faith, belief, and practice of Islam from its earliest origins up to its contemporary resurgence. The author, an internationally renowned expert on Islam, traces the development of this dynamic faith and its impact on world history and politics, discussing the formation of Islamic belief and practice (in law, theology, and mysticism) and chronicling the struggle of Muslims to define and adhere to their Islamic way of life. Lucidly written, the third edition of Islam: The Straight Path provides keen insight into one of the world's least understood religions.

Realm of the Saint: Power and Authority in Moroccan Sufism, Vincent J. Cornell, (Austin: University of Texas Press, 1998). In premodern Moroccan Sufism, sainthood involved not only a closeness to the Divine presence (walaya) but also the exercise of worldly authority (wilaya). The Moroccan Jazuliyya Sufi order used the doctrine that the saint was a "substitute of the prophets" and personification of a universal "Muhammadan Reality" to justify nearly one hundred years of Sufi involvement in Moroccan political life, which led to the creation of the sharifian state. This book presents a systematic history of Moroccan Sufism through the fifteenth and sixteenth centuries C.E. and a comprehensive study of Moroccan Sufi doctrine, focusing on the concept of sainthood.

Memory, Music, and Religion: Morocco’s Mystical Chanters, Earle H. Waugh, (Columbia: University of South Carolina Press, 2005). An analysis of the role of music and rememberance in Moroccan Islam and Sufism and its reflection on Moroccan national identity.

The Koran, Oxford University Press translated editions (US/UK). The Word of God as handed down to the Prophet Mohamed is the basis of all Islam.

Anthropology/Gender Studies

Beyond the Veil: Male-Female Dynamics in Muslim Society, Fatima Mernissi, (Indiana: Indiana University Press, 1987). A controversial book written by an Arab feminist-scholar that examines gender relations from an insider's vantage point. It remains an important source for those studying gender issues in the Muslim world.

Gender on the Market: Moroccan Women and the Revoicing of Tradition, Deborah Kapchan, (University of Pensylvania Press, 1996). A study of Moroccan women's expressive culture and the ways in which it both determines and responds to current transformations in gender roles. She is currently working on two additional books on Morocco: Poetic Justice: Translating Art and Ideology in Morocco and Traveling Spirit Masters: Sound, Image and Word in the Global Marketplace.

Doing Daily Battle: Interviews with Moroccan Women, Fatima Mernissi, (The Women’s Press, UK/Rutgers University Press, US). Eleven women—carpet weavers, rural and factory workers, teachers—talk about all aspects of their lives, from work to housing to marriage. Unique insight into traditionally private quarters.

*A Street in Marrakech, Elizabeth W. Fernea (Waveland Press, 1988). An American woman anthropologist’s view of Marrakech in 1971-72; it will give you an idea of how much Marrakech has changed, or not, in the last 20 years.

Tribe and Society in Rural Morocco, David Hart, (Frank Cass, UK/US). An accessible collection of essays from 1985-2000 around the themes of tribalism and Berberism in Morocco.

The Mellah Society: Jewish Community Life in Sherifan Morocco, Shlomo Deshen, (Chicago: University of Chicago Press, 1989). This is a work that tackles the issue of Jewish identity in a predominantly Muslim country. In his account, Shlomo penetrates Moroccan culture and discusses a variety of key concerns that will give perspective to your experience.

The Berbers (Amazigh)

How “Berber” Matters in the Middle of Nowhere by David Crawford
http://www.faculty.fairfield.edu/dcrawford/berber_matters.html
This describes the social life, terrain and challenges experienced by the Berber people

Arab News – This is a concise overview of who are the Berber people
http://www.arab.net/morocco/mo_people.htm

A Peace Corps Volunteer’s experience
http://aands.virginia.edu/x7547.xml

This article suggests some of the challenges in the region:
http://www.magicmorocco.com/travel_morocco/reviews/moroccos_high_atlas_region_both_breathtakingly_beautiful_and_remote.html

The issue of language is highly political in Morocco – an issue the Berber people have been struggling with for generations and only in recent years has genuine progress been made. This BBC article describes an example of progress: http://news.bbc.co.uk/2/hi/africa/4502772.stm

Among the Berbers, (National Geographic Magazine, January 2005). Isolated in Morocco's High Atlas range, the mountain Berbers take pride in holding on to a traditional culture now largely lost to their urban kin. But life is still a hard climb in these rugged hills. Online feature includes various resources on Berber Culture, here: Download file

Documentaries/Film

*Class of 2006, PBS, Director Gini Reticker. WIDE ANGLE cameras are on location in Morocco as history is made. In May 2006, an imam academy in the city of Rabat holds a graduation ceremony. But the class of 2006 is no ordinary group of students. Side by side with the male graduates are 50 women pioneers, among the first contemporary group of women to be officially trained as religious leaders in the Arab world. Empowered to do everything that male imams do -- except lead Friday prayer in a mosque -- the women will fan out across Morocco to work as spiritual guides in mosques, schools, hospitals, and prisons, even hosting their own television and radio talk shows.

*Sound of the Soul, Stephen Olsson, Director (CEM Productions, 2006). A glorious homage to the remarkable Fez Festival of World Sacred Music in Morocco, which brings together a unique array of musicians from Muslim, Christian and Jewish backgrounds. --All connected through their artistry by profound expressions of love and longing. In a world increasingly polarized by religious conflicts and fundamentalist forces, SOUND OF THE SOUL is a timely and profound experiential journey, reverberating with unity, understanding and most of all, hope.

The Sheltering Sky (1990). Paul Bowles’ novel set to the Big Screen. Directed by Bernardo Bertolucci and starring John Malkovich and Debra Winger.

Morocco: The Past and the Present of Djemma El Fna, 1995. A short documentary by Steven Montgomery profiling the legendary marketplace in Marrakech, with glimpses of its snake charmers, musicians, and storytellers.

The Wind and The Lion, 1975. In the early 1900s, an American businessman was kidnapped by a rebellious Arab chieftain, principally as a means to embarrass the Sultan of Morocco. This abduction sparked the threat of armed intervention by President Theodore Roosevelt, which was never carried out. In The Wind and the Lion, the unattractive male captive is replaced by the gorgeous female Mrs. Pedecaris, an American widow played by Candice Bergen. The ruthless but essentially decent Arab chief Raisuli is portrayed by Sean Connery, while Teddy Roosevelt is depicted as a jingoistic blowhard by Brian Keith. The film's main theme, that of America's emergence as a world power, is largely secondary to the growing mutual-respect relationship between Mrs. Pedecaris and Raisuli. After releasing his hostage, Raisuli is himself captured by German forces, who at the behest of the Kaiser are seeking out methods of laying the groundwork for what would evolve into World War I. With the help of Mrs. Pedecaris -- and, in long-distance fashion, President Roosevelt -- Raisuli escapes. Director John Milius' screenplay bears little relation to the facts of the matter, but this is forgotten in the light of the film's dynamic action sequences, not to mention the marvelous rapport between its two main stars.

Casablanca, 1942. One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. [Contrary to popular thought, filming of Casablanca did not occur in Morocco].

Crossing Borders, 2008. The lessons of the documentary "Crossing Borders"— and the film is not subtle about them — are so self-evident, you might think there’s no need to convey them. But that would be a mistake. In 2007, the German filmmaker Arnd Wächter brought four college-age Americans to Morocco to join four Moroccans of similar age for a weeklong tour of their country. What resulted was a document of conversations interspersed with compelling travelogue images (not, fortunately, restricted to the most scenic quarters). Besides more obvious choices on the itinerary (riding camels, for example), the group visits Tangier, the Rif Mountains and, notably, Sidi Moumen, a Casablanca shantytown, where the eight meet with some youths, play a pickup soccer game and have a small dance party. The group’s sometimes enlightening, sometimes fractious exchanges touch on subjects like Islamic perceptions of the West and vice versa, the war in Iraq (fleetingly) and (more fleetingly) the role of women in Arab society.But the Americans all hail from East Coast cities; you wonder how, say, a Texan would fare in such company. The American women — one black, the other Jewish — are given woefully scant camera time. And the barrage of testimonials to the group’s rapport proves repetitious (and self-congratulatory) after a while. But there is another persistent refrain: that these two parts of the world need to communicate and get to know each other better. And that can never be said often enough. (Andy Webster, New York Times).

Adventures with Purpose—Morocco: Quest for the Kasbah, 2009. The DVD companion to Richard Bangs’ eponymous book. Part of the American Public Television series, “Adventures with Purpose.”

Cuisine

Couscous and other Good Food from Morocco, Paula Wolfert (William Morrow Cookbooks, 1987). North Africa is the home to one of the world's great cuisines. Redolent of saffron, cumin and cilantro, Moroccan cooking can be as elegant or as down-home hearty as you want it to be. In Couscous and Other Good Food from Morocco, author Paula Wolfert has collected delectable recipes that embody the essence of the cuisine. From Morocco's national dish, couscous (for which Wolfert includes more than 20 different recipes), to delicacies such as Bisteeya (a pigeon pie made with filo, eggs, and raisins among other ingredients), Wolfert describes both the background of each recipe and the best way to prepare it. As if the mouthwatering recipes weren't enough, each chapter includes some aspect of Moroccan culture or history, be it an account of Moroccan moussems, or festivals, or a description of souks, or markets. Just reading the recipes will be enough to induce ravenous hunger even on a full stomach. Once you've tried the Chicken Tagine with Prunes and Almonds, or the Seared Lamb Kebabs Cooked in Butter, Paula Wolfert's Couscous and Other Good Foods from Morocco will become a well-worn title on your cookbook shelf (Amazon.com). Winner of the 2008 James Beard Foundation Award for “Cookbook Hall of Fame.”

Music

The Rough Guide to the Music of Morocco

Gnawa Diffusion

B'net Houariyat (Daughters of Houara). Hailing from the region of Marrakech, Morocco, the five women of Bnet Houariyat perform traditional Berber songs and dances that reflect the multiple facets of Islam and the female condition. Hauntingly beautiful, the harmonies, melodies, and rhythms in the songs transport you to another world. The themes explore the cultural traditions and the reality of these extraordinary women. Part of ARABESQUE: Arts of the Arab World festival held at The Kennedy Center in Washington, DC in early 2009. To view their performance, visit: Download file

Chabab Al Andalous Rabat Orchestra with Mohammed Bajeddoub and Bahae Ronda. This orchestra from Rabat, Morocco seeks to preserve the traditions and artistic heritage of Andalusian music. The musicians perform traditional songs and chants using Arabic poems and traditional instruments. Part of ARABESQUE: Arts of the Arab World festival held at The Kennedy Center in Washington, DC in early 2009. To view their performance, visit: Download file

Hoba Hoba Spirit. This band is one of the most exciting and popular groups to emerge from Morocco in recent years. Formed in 1988 in Casablanca by friends Adil Hanine (drums), Anouar Zehouani (guitar), Saâd Bouidi Oubiz (bass guitar), Reda Allali (vocals and guitar), and Othmane Hmimar (percussion), Hoba Hoba Spirit has now become a national phenomenon. Calling their signature sound “Haiha Music,” loosely translated as “Wild Partying Music,” the group is equally inspired by indie rock, punk, and Gnawa, the Sufi music of Morocco brought to the country by slaves from Mali and other West African countries over many centuries.

With their lyrics in at least three languages, and an explosive blend of western rock and traditional Arab, Berber, and African sounds, the song “Haiha Music,” the band’s semi official anthem usually played at the end of each of their concerts, neatly sums up the uniqueness of Hoba Hoba Spirit:

Call it African folk
Call it Gnawa Blues
It is just Haiha music
Coming from deep of our soul

Call it Chaabi Funk
Call it Ayta Jazz
It is just Haiya music
Coming from deep of our soul

Haiha music wo yoyoooo.

Part of ARABESQUE: Arts of the Arab World festival held at The Kennedy Center in Washington, DC in early 2009. To view their performance, visit: Download file

Podcasts (iTunes U)

Stanford Professor Emeritus, David Abernathy, offers six approximately 1 hour lectures of interest on Morocco:

*1. “Morocco’s Foreign Policy, From Independence to Today”
2. “The ‘Moors’ in Europe, 711-1492: The Arab-Berber Impact on Iberian History and Culture”
*3. “The Arab Arrival and the Spread of Islam”
4. “Northwest Africa Before Islam: the Influence of Mediterranean Cultures”
*5. “Europeans in Morocco: From Ceuta (1415) to the French Colonial Era (1912-1956)”
6. “Trans-Saharan Trade Routes and Medieval Kingdoms of the Sahel”

July 24, 2009

La Bas! from Lexi Kate

lexikate.jpg

My name is Lexi Kate Doolittle, I am 18-years-old, and I am from Concord, Massachusetts. I have deferred for one year from the University of Richmond to participate in a gap year. I will graduate from Concord Carlisle High School in June 2009. I have played a variety of sports as well as the piano for a number of years. I am very excited about traveling to Morocco with a group and experiencing a completely different lifestyle and language. I cannot wait to meet everyone and I am looking forward to September!

July 28, 2009

Greetings from Kate Payne

kady photo2

My name is Kate Payne. I am eighteen years old and live in Needham Massachusetts. I am starting at the Gallatin School at NYU next fall. I love to travel and eat different foods and see new places. I am really looking forward to meeting everyone and experiencing Morocco with you.

July 31, 2009

Morocco Semester Student Manual

Please download and review your student manual before you arrive at our Pre-Travel Orientation.

Download file